Welcome To The Vault


All past content from the years
2007 through 2008 for
Birds With Broken Wings
can be found in the pages below.
Please browse freely, leave comments,
and kindly notify me of any broken links
by dropping an email in the corresponding
link located in the side panel.

I hope you'll find some things of interest within.

A Holiday Gift From Me To You

NRBQ: The Early Quintet/Quartet Years
Friday, December 26, 2008

God knows we all can certainly use a little good cheer these days. We're living in vulgar times, and despite the promise of Barack Obama's impending inauguration, we've still got a long way to go before we dig ourselves out from under the rubble that surrounds us.

Now if you're a regular reader of this blog, you'll recall that it was roughly 12 months ago that I waxed poetic over the visceral power of NRBQ's music. For me, the 'Q' (as they are affectionately referred to) have always been the great equalizer; their joyous sound and off-the-hook stage shows contained just the right amount of irreverence and master musicianship to effectively put the world on hold for a few hours at a time, allowing me to recall a time when life didn't feel so damn complex and messy. Since the band has now regrettably called it quits after a long 37 year run, I must rely solely on their recorded output as my legal drug of choice for
suppressing nervous tension in a scenario that might go something like:

"Dr. Howard! Dr. Fine! I'm a mess! Can you give me some sort of prescription for this holiday malaise?"

"Well, Miles, are you getting any exercise? Why don't we try that in combination with a Vitamin B12 shot and some
NRBQ? Let's start out with 'Tiddlywinks.' I'll give you a script for it that you can fill at the record shop. And do call me if your symptoms worsen, but the 'Q' should do the trick. Now roll up your sleeve."

I thank modern technology and commerce for supplying me with the means, as NRBQ records have probably been worn out and replaced more than any other catalog in my collection besides Miles Davis, but most especially I thank Terry, Al, Joey, and Tommy, the core of the 'Q' for providing me with years of pleasure and dozens of songs that remain the strongest elixir that I've ever found to elevate my soul.


The New Rhythm And Blues 'Quintet'


In 1967, headquartered just a short commuters train ride upstate from Manhattan, the group began life as a 'Quintet,' revolving around the gritty guitar work of Steve Ferguson and the rollicking piano of Terry Adams. Ferguson's style was a fiery and rootsy one, distinct and unorthodox, a sound that remains highly unique even today. Adams on the other hand, drew his inspiration from the curious well of Jerry Lee Lewis and Thelonious Monk --- two unlikely bed partners --- but the blend proved both intoxicating and exciting, resulting in unexpected surprise and originality. In those years as later, the band's songwriting came from three divergent sources, Ferguson penned blues, shuffles, and rockabilly twang, while bassist, Joey Spampinato (then called Jody St. Nicholas) lent teen appeal and a pop sensibility to the band with his Beatlesque nuggets, filling them with ringing guitars and three part harmonies. The wild card was Adams, the de facto leader of the band whose songcraft simply runs amok. His songbook wavers from country blues to knockabout rock & roll, tender love ballads and paeans to childhood, to endearing one-offs and Monk informed jazz. And have I mentioned his and the bands affinity for the intergalactic/free jazz/dance music of Sun Ra? Rounded out by drummer, Tom Staley, and frontman/vocalist, Frank Gadler, those formative years for the 'Q' were a strange, eclectic brew; a proverbial smorgasbord of genres. Graced with three superb songwriters, five vocalists, and a set list that resembled a roadmap drawn by a blind man, the combination was at once brash, exuberant, and utterly refreshing.


The New Rhythm And Blues 'Quartet'

After two LP's ('NRBQ' and 'Boppin' The Blues,' the latter a shared bill with Carl Perkins), Ferguson dropped out of the band to be replaced by a monster of the guitar, 'Big' Al Anderson. Anderson is a huge hulk of a man with a constant scowl that makes one consider whether it might be prudent to avoid him if he's ever in a foul mood. But despite his bulk and intimidating grimace, Al is actually a gentle giant, "the glue that held the band together," according to Terry Adams. The five man line-up with Anderson remained in place through one more album ('Scraps') before Gadler eventually jumped ship to an indeterminate destiny that he may, or may not have regretted. After their fourth release ('Workshop,' originally to be called 'The Age of Aquariums'), drummer, Staley had also moved on to be replaced by the curly haired, fresh faced, Tom Ardolino. With that last change of personnel, the band officially changed the 'Q' in NRBQ to 'Quartet,' and new line-up of Joey, Terry, Al, and Tom, hit the road in an endless series of small club dates and concerts halls that took them from Altoona to Baton Rogue, Pensacola to Poughkeepsie, Richmond to Cotati, and nearly every town and stage in between. This 'classic' line-up prevailed for 20 odd years --- releasing roughly the same number of recordings --- coming to an end when Anderson left to pursue a successful songwriting career in Nashville, leaving his spot to Spaminato's brother, Tom who stayed until the bands ultimate breakup in 2004. Throughout those decades, NRBQ remained as true to themselves as any self respecting unit of musicians possibly could, never once wavering from their original vision. And through it all, they retained the every hallmark of what the 'Q' ultimately came to embody; world class musicianship, hard work, showmanship, good humor, eclecticism, exploration, great rock n' roll, and damn good fun!


The Recordings

The songs featured in 'Get A Grip!' are drawn from NRBQ's earliest releases on the Columbia and Kama Sutra labels. Additional material recorded during that same period is also included, though only issued a few years later after they had formed their own Red Rooster label. The years '67 through '71 were a developmental time for the band, young men gaining their footing and honing their stage show, slowly building a massive and eclectic body of work that would go on to become the foundation of their live sets throughout the next three decades. The personnel may be different in these songs with the frequent shift in band members, but the sound, spirit, diversity, and musicianship were in place from the very start. And of course, so was the joy that has fueled me for years. Long live NRBQ.



Get A Grip!

1.) Get A Grip
2.) New Tune
3.) Scraps
4.) Stomp
5.) Hymn #9
6.) Ain't It Alright
7.) Howard Johnson's Got His Hojo Workin'
8.) Magnet
9.) RC Cola And A Moon Pie
10.) Ratch-I-Tatch
11.) Just Close Your Eyes, Ruby
12.) Come On If You're Comin'
13.) Sourpuss
14.) Hey Little Brother
15.) Open All The Windows
16.) Start It All Over Again
17.) Don't Knock At My Door
18.) Tragic Magic
19.) Get That Gasoline Blues
20.) Do You Feel It
21.) Flat Foot Floozy
22.) C'mon Everybody
23.) Throw Out The Lifeline
24.) Chicken Hearted
25.) She's Got To Know
26.) You Got Me Goin'
27.) Accentuate The Positive
28.) Have You Heard


For more NRBQ, visit:

The source material for 'Get A Grip!' comes from the following recordings:
NRBQ (1969)/Boppin' The Blues (1970)/Scraps (1971)/Workshop (1972)
RC Cola & A Moon Pie (1986) and Stay With We : The Best Of NRBQ's Columbia Years (1993)
plus bonus tracks from various remastered CD's from the NRBQ catalog

Not Right Now. I'm Listening To Aretha

The Power Of Aretha Franklin
Friday, December 19, 2008

It came over breakfast at Patella’s Diner. He was working on his second slice of buttered toast when the question left her lips. She delivered it ever so nonchalantly, as casual as the waitress topping off their coffee cups. "What do you think about getting a Christmas tree this year, babe? As long as we’re unpacking, I thought maybe we could get the decorations out, dress the place up a bit, and invite our new neighbors over for a small holiday party. It might be fun! What do you think?"

His wife’s surprising request caught him off guard, forcing him to swallow his mouthful of hot brew just a little too fast. "Aw, Christ! A Christmas tree?" he coughed, choking on the words he was loath to hear. "Just whadda' ya' have in mind?"

"Well I just thought that maybe this year would be a good time to do something different. It’s our first Christmas here.” There was an awkward silence where she had hoped for a promising reply. “You know that elderly lady who lives down the hallway?” she continued. “I was talking with her the other day. She's a very sweet woman you know, and so interesting too. Can you believe that she's lived in that unit for nearly 60 years? Gosh, she must have moved in when she was in her early 20's! That's so hard to imagine these days, someone staying put for so long, don’t you think? Anyway, she said she had some old lights she'd like to give us. I thought we could invite her over, along with some other people in the building. She seems so sweet, and lonely. Seeing a tree strung with her lights might brighten up her day, not to mention brightening our place too. It would be festive! Just something simple is all I have in mind, nothing fancy. I saw some nice looking Spruce trees down on that lot next to the Buy-Rite Market the other day, just the right size, and not too expensive either. Maybe we could go down and have a look after supper tonight."

He had already stopped listening after the antidote about the elderly neighbor. She knew that he abhorred the holidays. It was always the worst time of year for him, a stressful season, empty with all its forced joviality and glad-handing, impossible to live up to its promise. She knew better than to push the subject, but had hoped that with so many boxes left to unpack, the task might prove to be a bit easier and palatable to him. What she didn’t know was that he had already buried the holiday decorations deep in the rear of the storage closet; a calculated move intended precisely to avoid having to decorate. He hated it, but she thought perhaps this year just might be different. Continuing with assurance she cheerfully injected, “We’ve got plenty of time, after all Christmas is still a few weeks away. Besides, it’s not like you can spend your weekends watching football with your friends like before, we haven’t even gotten the cable hooked up yet!” She knew from experience that football was the convenient out he had used countless times before; stringing her along with promises of making good the following weekend until the holiday had virtually come and gone. Year after year the decorations never went up, and she would hear the words that she invariably came to expect, “I’m sorry, babe. Maybe next year.”

She knew there was little chance of seeing the trimmings again this year, but it had almost become a sort of game to her. Not one in which to force her husband into participating in something that he found objectionable, but rather like gambling on future’s; the prospect of whether one day, maybe this day, he might have a surprising change of heart. She certainly knew that he was not a cold nor cruel man. Quite the contrary, he was quite attentive to her needs and desires in every other way. Neither was he a bitter curmudgeon, angry at the world around him. Despite his contempt for the Christmas season, he had always found a way for them to celebrate the holiday in some simple non-traditional way. His avoidance of the holiday was rooted in his disdain for the orthodox trappings that had come to represent Christmas. What others blindly accepted as seasonal custom was simply an endeavor that he believed to be false, and one for which he was not prepared to indulge in, and perhaps never would be. She knew this, but this season she hoped would be the year he’d agree to a compromise. “Give me some time to think about it, dear,” came his lukewarm reply, and for the moment she was satisfied.

Like the good husband he was, he genuinely did give the idea some thought over the next few days. He wasn’t certain about the old lady, but he did agree that the apartment was in need of some extra light. He also understood that he couldn't always dash his wife’s heartfelt request for a little traditional holiday cheer. Perhaps she was right. Maybe this year was a good time for something different. After all, wasn't that the goal they had set out to achieve? Shake thing up a little, stir in some changes? One thing of which he was certain however, he would definitely not be talked into donning a pair of skates for a spin around Wollman Rink.

The weeks passed quickly, and not another word was said about a celebration by either of them. Christmas was now just 7 days away, and cautiously broaching the subject much like testing the temperature of the bath water, she approached him once again at the dinner table. "So have you come to a decision regarding our conversation about the tree?” she implored. “Time is running out you know?” “Yeah, I know, and yes, I have,” he replied, “but would you mind if we didn’t talk about this very moment? I'm dog-tired, babe.” Rubbing his forehead, he sighed heavily, “How about later? I have to decompress first. After we eat, I intend to pour myself a drink and wind down a bit with some music.” He had been working long hours recently and often came home exhausted. Retiring to the music room was common for him, and a pleasure that she certainly appreciated as well, as they both found comfort and solace in the immersion of books and music. “O.K.,” she said, nodding her head in empathy. “I love you.” “I love you too, babe. More than you know,” he whispered.

Later that evening as he prepared to relax with his music, he browsed through their collection for something soulful, something that held special meaning; spiritual music to guide and inspire him, easing the ache he felt in his heart. It had been a grueling day, the demands of a new position, along with another season of false promise weighing heavy on his mind, but he was determined to reach a decision on whether he was willing, or even capable of celebrating with an old fashioned holiday. He was concerned for his wife’s happiness, and perhaps this year truly was a good time for a compromise that could satisfy them both. To the casual observer, his behavior may have seemed trite and selfish, but this was a truly a dilemma for him, and it pained him. His wife understood this and would undoubtedly accept whatever the outcome would be, though she did honestly long for the kind of holiday that others shared. Finding his choice, he placed the record on the turntable, lowered the lights, sipped at his drink, and let the music wash over him. "Maybe it could be nice," he thought to himself, "after all, there's something to be said for having some spiced apple cider around the house. Or better yet, maybe some warm Brandy with cookies and cakes. The apartment warm and toasty, filled with the scent of pine, and lit by the glow of a fire. Yeah, we could put the tree in that corner with some ribbons and bows, and beneath the tree, some brightly wrapped packages in all shapes and sizes.” He let his mind wander free, certainly freer than it ever had before surrounding this topic. “We can sit by the fire sharing stories of Christmases past, and outside the window, maybe some caroler's singing songs of the season. Later, a few friends might drop by for a toast. We could make it a real holiday!” He was actually beginning to warm to the idea, and his wife would surely be pleased to hear the good news.

Just then, the record he was listening to began to skip, breaking the mood, as well as his reverie. He rose from his chair to re-position the needle past the damaged groove, and then returned to the cushioned comfort and his fantasy of a true Christmas celebration. “Now where was I?” he tried to recall. Attempting to re-establish the mood, he pondered the true meaning of the holiday. "Christmas is a spiritual re-experiencing of the birth of Christ as he miraculously appeared born in a manger," he thought to himself. "It was all natural and beautiful. No hospitals, no bright lights. A simple, pure act. Angels and Kings were there, and even a shining star. And to think that in this day and age, we can relive the entire religious meaning of it all. It's a nice thing. The Christmas carols, the ringing bells, the snowfall." Thinking back on holidays long past however, a very different kind of picture slowly began to emerge in his mind. Memories of shopping in crowded department stores, spending more than you could really afford, and why? Because it was expected. Wasn't that what Christmas boiled down to today? He remembered unannounced visits, friends and family dropping by in the name of holiday mirth with cheaply made fruitcakes and coconut macaroons, leaving puddles of melted snow by the doorway, and even bigger messes to be cleaned up after they've left. Everyone carrying on, laughing like the woes of yesterday had simply vanished into thin air. And though he knew that good cheer was a part of the design, it just never rang true enough to feel genuinely warm and sincere. And what about those caroler's, those damn caroler’s outside on the sidewalk, annoying and off key, and everyone finding it so charming. "Maybe this isn't such a good idea," he nervously thought. This troubling new scenario was rapidly replacing the previous, more accepting one. It glumly depicted the fretting over cards received from friends who were overlooked on the ‘send to’ list, the cat getting into the tinsel, puking it's guts all over the hardwood and possibly involving an expensive late night trip to the veterinarian emergency room. Further still, it detailed long lines at the Post Office, the excessive eating followed by months of dieting, the credit card bills and merchandise exchanges, the gift received that you had no use for, and the pine needles, 'My God, the pine needles! Sticking in the carpeting 'til springtime! Oh, man!” he thought, grabbing his drink and swallowing hard. “Christmas is really just a lot of unnecessary stress." “This isn’t gonna’ work,” he said stammered softly, but clearly aloud. “Shit! What am I gonna’ do now? I was almost there!”

Downing the remaining contents of his glass, he poured him self another drink. “I need some stronger medicine,” he thought. He went back to the record library to find that certain 'one-of-a-kind' recording that held real power, the power to move mountains. An artist with that certain touch and feeling, a sound that could stir the soul and heal the heart, something soulful, something deep, something utterly transforming. He looked long and hard until he came across what he felt just might be the perfect tonic. Beginning again, he lowered the tone arm, placing headphones over his ears this time to allow the music to work its magic. At that very moment, his wife entered the room prepared to conclude their talk about the tree, the lights, and the idea for a holiday gathering. His heart sank. Just twenty minutes prior he was prepared to tell her that he agreed with her 100%, that decorating the apartment seemed like a good thing to do this year. “So go ahead and invite some neighbors,” he had imagined himself saying. “Tomorrow we’ll pick out a tree, and then I’ll get started on wrestling with the trimmings.” But now his doubts had returned, and they came knocking with a vengeance. The music in his headphones filled his ears, but it had yet to fully cast its spell. Staring at his feet, he looked up at her hoping to buy himself just a little more time to reconsider and sheepishly said, “Not right now, babe. I’m listening to Aretha.” And in that brief moment, with those few words, she understood completely.

© Miles Mellough 2008


1) Wholly Holy
2) Don't Play That Song
3) Think
4) Save Me
5) Ain't No Way
6) I Wonder (Where Are You Tonight)
7) Nobody Knows The Way I Feel (This Morning)
8) Chain Of Fools
9) Since You've Been Gone
10) (I'd Rather Drink) Muddy Water
11) Without The One You Love
12) Trouble In Mind
13)
Runnin' Out Of Fools
14) Do Right Woman, Do Right Man
15) Dr. Feelgood
16) Baby I Love You
17) Until You Come Back To Me
18) Only The Lonely
19) Maybe I'm A Fool
20) Don't You Know
21) At Last
22) So Soon
23) The Letter
24) Climbing Higher Mountains



The source material for 'I'm Listening To Aretha' comes from the following recordings:
Amazing Grace (1972)/The Legendary Queen Of Soul (1981)
30 Greatest Hits (1985)/Aretha Sings The Blues (1985)
and
Rare And Unreleased Recordings From The Golden Reign Of The Queen Of Soul (2007)

Jazzoetry II

The Blood Of Poets II
Friday, December 12, 2008


Jazz poetry
was not discovered by

Allen Ginserg or Jack Kerouac
let alone Kenneth Rexroth
Nor was it a literary invention of the
Beat(up) school, the New York school or
any other official institution of 20th
century AVANT-learning

It started if you really want to know
(and you damn well should) in a white
whorehouse in East St. Louis, Illinois
in August 1928 where a bunch of drunken
unemployed Negro poets were sitting around
trying to sound like LOUIS ARMSTRONG as a
rickety Victrola ground out 1,900 choruses
of "Tight Like That" in the early mourning
hours of Eddie Jefferson's 12th birthday

It was Eddie's father who told the other cats
present that they should all donate their individual
stanzas to little Eddie as a birthday gift as Jefferson, Sr.
didn't have no money as usual to buy his wide-eyed son that
silver-grey saxophone he'd seen in the window of a weary
looking pawnshop called LIGHTS OUT in the 'nigger section'
of town

The rest as they say is MYSTERY...

©
Kofi Natambu



1.) Succubus/Annette Peacock
2.) Orizaba 210 Blues/Jack Kerouac
3.) So Long/Jayne Cortez
4.) Oaktown Blues::Just Like That/Upsurge! JazzPoetry Ensemble
5.) California Highways Up & Down/Miles Mellough
6.) Dem Niggers Ain't
Playin'/The Watts Prophets
7.) Leimert Park/Kamau Daaood
8.) Comment #1::Brother/Gil Scott-Heron
9.)
Jazzoetry/The Last Poets

10.) Conversations (Instrumental)/Build An Ark
11.) Letter To John Clellon Holmes/Lee Renaldo w/Dana Colley reading Kerouac
12.) 9th & Hennepin/Tom Waits
13.) Soul Ain't: Soul Is/Sarah Webster Fabio

14.) Blues #1/Langston Hughes w/Charles Mingus
15.) American Sport/Annette Peacock
16.) Black Dada Nihilismus/Amiri Baraka w/The New York Art Quartet
17.) Priester::Rivers/Upsurge! Jazz Poetry Ensemble
18.) A Poker Game; Luck Inverts Itself; Four Swimmers
Fernando Saunders w/Kip Hanrahan


Jazzoetry
IV

1.) Thou Shalt Not Kill/Kenneth Rexroth
2.) Liberator Of The Spirit (For John Coltrane)/Kamau Daaood
3.) Bicentennial Blues/Gil Scott-Heron
4.) Syncopated Blues/Allen Dwight Callahan reading Langston Hughes
5.) There's A Difference Between A Black Man And A Nigger/The Watts Prophets
6.) All Athighed In Black/Eugene B. Redmond
7.) Juju For Ray Charles::Alchemy Of The Blues/Sarah Fabio Webster
8.) As I Opened The Window/Kenneth Patchen w/The Alan Neil Quartet
9.) Moscow In The Winter::Segovia In The Snow/Lawrence Ferlinghetti

10.) I Am New York City/Jayne Cortez
11.) Survival/Annette Peacock





For more Jazzoetry, visit the previous post, Chasing The Ghost Of Kerouac, Pts.1-3



Again my sincere thanks to Greg of Impulse! and Sounds From The Edge Of The Universe for sharing some great jazzoetry. To Reza, who is a contributor at Black Classical, Ish of Ile Oxumare, and lastly to James from Nothing Is v2.0. Also, check out Upsurge! JazzPoetry Ensemble from Oakland, CA, who in my estimation are among the new supreme bearers of the jazzoetry torch.

Special Note: There are four instrumental tracks spread across Jazzoetry I-IV. These are included for color, and to provide a little balance to the mix. However, you can utilize those tracks to try your own hand at creating jazz poetry. Simply write an original poem, or find an existing one that you feel matches the vibe of any of the four tracks, then practice reciting it aloud to the rhythm of the piece. Then, if you're feeling especially creative and ambitious, you can take that track, along with a microphone and audio editor (such as: Pro-Tools, Audacity, Sound Studio, Amadeus, Garageband, etc.) and record your own contribution to Jazzoetry. If you like what you've created, send your completed .mp3 file to me as a download link or an email attachment, c/o hays8662@mypacks.net. Those that I receive will be featured in a future Jazzoetry post. The deadline for submission is February 28, 2009.

The Blood Of Poets

Jazzoetry
Friday, December 05, 2008


Adjusting his hat and
stepping into the spotlight
he spoke directly to the crowd
saying ---
What we have here
is a self compiled anthology of
poetry
and spoken word
all the way from Langston Hughes and the
Harlem Renaissance/1920's
to the existential tomes of the Beat at the dawn of the
nuclear age
through the socially/politically fueled rants of
angry young Blacks/adrift
in Nixon/Agnew white Amerika/and looking
to build a new Pan-African nation
up to today's contemporary poets
rappers and
musicians
carrying the torch of their predecessors

Now we
being individuals/you and I
have different ideas/about
Jazzoetry and
what it involves

So what is
Jazzoetry
and what does it need to make it
Jazz Poetry?
Well jazz/poetry can be a lot of things and
who knows what it really needs/other than
an opinion or
a viewpoint or
something that begs to be spoken

I can tell you this ---
Jazzoetry does not need a backdrop of
bongos or
rattles or
congas played by Black militant brothers
dressed in Dashikis on Harlem street corners
Nor does it need the sound of
steel brushes on taunt snare drums
whispering like the whoosh of wet radials on
rain-slicked city streets
It doesn't need
the snap of fingers or
the curl of smoke/from Chesterfield Kings
The clinking glasses
of barroom patrons or
the solemn reverence bestowed in bookstore readings
It also doesn't need
the accompaniment of a mournful tenor or
a tinkling piano played by sad eyed musicians
in smokey bars and downtown coffeehouses
But it does need soul

Although all those elements
are often present
the gist of Jazzoetry/lives
in the rhythm
and the color
and the imagery
and the sound
of the words
themselves
Poetry that incorporates
the syncopation
the feeling
and the phrasing of
jazz music
Poetry that mimics the improvisational quality of
jazz music
Modern/Jazz in particular

Of course
it's all subjective you know/because
you and I/we hear things
differently
You and I/we say things
differently
You and I/we feel things
differently
We are different/you and I
That's not to say that
one of us is with it and
the other one isn't
That one of us has it and
the other one doesn't/have a clue
It's/all/subjective

The artists in this mix
do have it
and they have soul
There's no question about it
They're poets
and musicians with stories to tell
and what they make is
Jazzoetry

© Miles Mellough


1.) The Afrikan In Winter/Positive Force
2.) Saint America/The Watts Prophets
3.) Running Through::Chinese Poem Song
Warren Zevon w/Michael Wolff reading Keroauc
4.) The Hyphen Between African & American Is Wyoming Wide
Upsurge!

5.) Nia (Complete The Circle)/Ju-Ju
6.) Balm Of Gilead (For Billie Holiday & Lester Young)/Kamau Daaood
*7.) Dream::Panic::Sonny Boy::Little Sally/Camille Yarbrough
8.) Kupenda Nakuhitaji/Ade Olatunji
9.) A Lover Divides Time (To Hear How It Sounds)
(Past, Present, Tense)
Lisa Herman w/Kip Hanrahan
10.) America's New Trinity Of Love: Dean, Brando, Presley
Richard Lewis reading Kerouac
11.) Travelin' Man (Instrumental)/Stanley Cowell
12.) Black Dog Following Me/Miles Mellough
13.) Jones Comin' Down/The Last Poets
14.) I've Know Rivers/Gary
Bartz Ntu Troop
15.) Ode To
Coit Tower/Gregory Corso
16.) Blues #25/Langston Hughes w/Charles Mingus

*In the .zip file, this is credited incorrectly to Nancy Dupree. It should be Camille Yarbrough.



1.) Rise Vision Comin'/Hadi Madhubuti & Nation
2.) Trouble's Braids/Tom Waits

3.) H20gate Blues/Gil Scott-Heron
4.)
Chromo/Saran Webster Fabio

5.) Proceed/The Roots w/Roy Ayers
6.) All Hid/Camille
Yarbrough

7.) Cabenza de Gasca, The Gasser/Lord Buckley
8.) Dog/Bob
Dorough reading Lawrence Ferlinghetti

9.) Sounds From The Village (Instrumental)/Phil Ranelin
10.) Mexican Loneliness/Matt Dillon
w/J. Altruda, J. Gonzalez & P. Calogero reading Kerouac
11.) Beautiful Black Woman/Amiri Baraka
12.) Tears::
Bulletholes/Nancy Dupree

13.) Nocturnal Sunshine/Me'Shell NdegéOcello w/Herbie Hancock
14.) Lemon's Holy Blues/K. Curtis Lyle
15.) The Lion For Real/Alan Ginsberg
16.) Harlem Preacher/Kain




Next Week... Jazzoetry, Pts. III & IV
with
The New York Art Quartet w/Amiri Baraka/Annette Peacock
Jack Kerouac/Kenneth Rexroth/Allen Dwight Callahan
Build An Ark/Lawrence Ferlinghetti/Kenneth Patchen
Eugene B. Redman/Fernando Saunders and many others




For more Jazzoetry, visit the previous post, Chasing The Ghost Of Kerouac, Pts.1-3



My
sincere thanks go out to a handful of remarkably dedicated bloggers, who by virtue of their passion for free thinking music have unearthed some extremely rare, but important out of print recordings. Included within 'The Blood Of Poets' are a few excerpts from these archaeological finds (Hadi Madhubuti, Nancy Dupree, K. Curtis Lyle, and most recently, Kain), and I'd like to express my gratitude to those individuals who graciously shared those titles for which I had the pleasure of hearing for the very first time.

Praise most especially goes to
Greg of Impulse!, Sounds From The Edge Of The Universe, and Black Classical
, the latter two of which feature many historical full length spoken word recordings. Praise also to Reza who is a contributor to Black Classical, but previously published the excellent, though now defunct, El Reza. Additionally, my thanks go to Ish of Ile Oxumare, and lastly to James of Nothing Is v2.0 who just recently introduced me to a bit of Jazzoetry that I'd never previously heard. Finally, I thank those who I may have inadvertently overlooked.

It's my hope that this compilation will encourage you to further explore the art of
Jazzoetry. Especially worthy of your attention is Upsurge! JazzPoetry Ensemble out of Oakland, CA, who in my estimation are among the new supreme bearers of the jazz poetry torch. Find more about them here.

Special Note: There are four instrumental tracks spread across Jazzoetry I-IV. These are included for color, and to provide a little balance to the mix. However, you can utilize those tracks to try your own hand at creating jazz poetry. Simply write an original poem, or find an existing one that you feel matches the vibe of any of the four tracks, then practice reciting it aloud to the rhythm of the piece. Then, if you're feeling especially creative and ambitious, you can take that track, along with a microphone and audio editor (such as: Pro-Tools, Audacity, Sound Studio, Amadeus, Garageband, etc.) and record your own contribution to Jazzoetry. If you like what you've created, send your completed .mp3 file to me as a download link or an email attachment, c/o hays8662@mypacks.net. Those that I receive will be featured in a future Jazzoetry post. The deadline for submission is February 28, 2009.